Scopus
🔓 Açık Erişim YÖKSİS DOI Eşleşti
SJR Q3
18. Yüzyıl Türk Ciltlerinde Öne Çıkan Bir Süsleme Tekniği: Yekşah
Cumhuriyet Ilahiyat Dergisi · Ocak 2022
YÖKSİS Kayıtları
A Decoration Technique Featured in 18th Century Turkish Bindings: Yekşah
Cumhuriyet İlahiyat Dergisi · 2022 Emerging Sources Citation Index (ESCI)
Doç. Dr. FATMA ŞEYMA BOYDAK →
YÖKSİS Kayıtları — ISSN Eşleşmesi
Kur’an’da Yer Alan ‘Şeytan’ın Adımlarını İzlemeyin’ İfadesinin Anlam ve Yorumu Üzerine
2017 ISSN: 2528-9861 ESCI
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Sahâbî Urve b. Mes‘ûd es-Sekafî’nin Hayatı
2020 ISSN: 2528-9861 Art Index (Art Research Database, EBSCO)
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Muğâmeratu Rivâye Tahavvele fîhâ en-Na'lü ile'l-Bağl fî Siyâkı't-Tahlîk ve Nakdi'l-Metn
2021 ISSN: 2528-9861 Emerging Sources Citation Index (ESCI)
Prof. Dr. YUSUF ACAR →
Tefsirlerde Müşriklerin İnkâr Sebebi Olarak Şirki Allah'ın Meşietine Bağlama Sorunsalı
2021 ISSN: 2528-9861 ESCI
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İbn Sînâ’nın eş-Şifâ Metafizik 1/8’de Sofistlerle Tartışma ve Dış Karşısında Zihnin Araçsallaşması
2022 ISSN: 2528-9861 ESCI
Prof. Dr. ÖMER ALİ YILDIRIM →
A Decoration Technique Featured in 18th Century Turkish Bindings: Yekşah
2022 ISSN: 2528-9861 Emerging Sources Citation Index (ESCI)
Doç. Dr. FATMA ŞEYMA BOYDAK →
Tefsirlerde Amellerin Karşılığının On Kat Verilmesi: Tematik ve Problematik Bir İnceleme
2022 ISSN: 2528-9861 ESCI
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Mevlânâ’nın Dîvân-ı Kebîr’inde İktibas ve Telmih Yoluyla Yer Alan Rivayetler
2022 ISSN: 2528-9861 ESCI
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İslam Hukuku ve Antik İbrani Hukukunda Yargıçlık
2022 ISSN: 2528-9861 ESCI
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Tümevarım Metodu Açısından en-Nahvu’l-Vâdıh ve el-Kavâ'idu’l-Arabiyyetu’l-Muyessere Adlı Arapça Dilbilgisi Kitaplarının İncelenmesi: Nitel Bir Araştırma
2022 ISSN: 2528-9861 Scopus, ESCI
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İslami İlimler Fakültesi Öğrencilerinin Akademik Motivasyonları ve Algıladıkları Okul İklimi İlişkisi (Selçuk Üniversitesi İslami İlimler Fakültesi Örneği)
2022 ISSN: 2528-9861 ESCI
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Kur'an'daki 'İn küntüm' İfadesinin Gramatik ve Problematik Yorumları Üzerine Bir İnceleme
2023 ISSN: 2528-9861 ESCI
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V-r-d Fiilinin Semantik Analizi Bağlamında “Sizden Herkes Cehenneme Uğrayacaktır” Ayetinin Değerlendirilmesi
2023 ISSN: 2528-9861 ESCI
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“Dünya Müminin Zindanı, Kâfirin Cennetidir” Rivayetinin Analizi ve Metaforik Bir Yorum Denemesi
2024 ISSN: 2528-9861 Emerging Sources Citation Index (ESCI)
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Fıkhî Açıdan Altın ve Gümüş Dışındaki Madenlerin ve Kıymetli Taşların Ziynet Amaçlı Kullanımı
2025 ISSN: 2528-9861 ESCI
Dr. Öğr. Üyesi SÜLEYMAN ŞAHİN →
Makale Bilgileri
ISSN25289861
Yayın TarihiOcak 2022
Cilt / Sayfa26 · 743-762
Scopus ID2-s2.0-85152653767
Erişim🔓 Açık Erişim
Özet
Decoration techniques have changed over time in bookbinding art, as in every branch of art. The 18th century is a period in which the classic style bindings were continued to be made, but at the same time new decoration techniques were tried. Yekşah, one of these techniques, is a decoration technique applied in the form of inlaying/pressing a flat or oval metal iron tool on the motifs embroidered with gold on the binding. This decoration technique takes its name from the metal tool used in the application. This tool, called yekşah iron, is an average of 15-16 cm long and is a flat or oval hand tool. Yekşah decoration technique is applied on bindings applied with brush. ‘Applied with brush binding’ means to embroider the pattern on the leather using gold-ink with a brush. After the pattern is embroidered on the leather with the applied with brush technique, it is started to be processed with yekşah iron tool. Lines are drawn on the motifs with a yekşah iron tool based on the direction of the pattern. The leather is partially pitted during this striping. Yekşah decoration technique joined Turkish bookbinding art at the end of the 17th century and the beginning of the 18th century. Examples continued to be seen in the 19th century. However, the period in which the technique was most frequently used is the 18th century. It is known that yekşah decoration technique is mostly applied by the palace bookbinders and especially on the bindings of the manuscript of high value. As a result of the examinations of the yekşah bindings samples published in the literature of Turkish binding art and found in museums and libraries, it was determined that the yekşah decoration technique was applied on 3 different patterns in Turkish bindings. These; rūmī, lattice (zerbahar/zilbahar) and baroque-rococo patterns. It is seen that the yekşah technique was applied in all parts of the rūmī patterned yekşah binding cover. However, it is most common and most diverse in medallions. The reason for this may be that, as of the 18th century, when yekşah decorations began to be seen, corner pieces were not frequently used on the covers of the binding and the intensity of the decoration was seen on the center-medallions. Three types of medallions were identified in the rūmī patterned yekşah bindings. These are the classical sliced oval form medallion, the rectangular medallion, and the sliced circular form medallion. On the rūmī patterned yekşah bindings, the center-medallion and pendant backgrounds are often painted in burgundy color in order to see the gold of the pattern more clearly. Another type of pattern in which the yekşah decoration technique is applied is the lattice (zerbahar) pattern. Zerbahar pattern is a type of binding decoration seen at the end of the 18th century and especially in the 19th century and was applied to cover the entire surface of the binding. It has been determined that as of the 18th century, yekşah application has been made on realist-style flower or Western-influenced baroque-rococo motifs seen in Turkish bindings. Turkish Rococo is an attractive decoration style in which the surface is completely filled and decorated with C and S curved motifs. Along with curved and round shapes, leaf, flower motifs and flower bouquets are also included in this decoration style. Although yekşah technique is weak in terms of durability, there is an effort to increase the artistic value of the binding, which is often preferred in 18th century bindings. Thanks to this technique, the pattern applied with brush has been made more attractive. This has increased the artistic value of the binding.
Yazarlar (1)
1
Fatma Şeyma Boydak
ORCID: 0000-0002-5111-7239
Anahtar Kelimeler
18th Century
History of Turkish Islamic Arts
Rococo
Turkish Bookbinding Art
Yekşah
Kurumlar
Selçuk Üniversitesi
Selçuklu Turkey
Scimago Dergi (ISSN Eşleşmesi)
Cumhuriyet Ilahiyat Dergisi
Q3
OA
SJR Skoru0,130
H-Index6
YayıncıCumhuriyet University
ÜlkeTurkey
Philosophy (Q3)
Religious Studies (Q3)
Social Sciences (miscellaneous) (Q4)